Ride The Wild Storm (1969)

Ride The Wild Storm

Marjorie Reynolds, il. Lorence F. Bjorklund

1969, The Macmillan Company

"Every time he gives a little cough, you rush to him as if he were dying."

12-year-old David Lang is frozen in indecisive nervousness between his impatient father and his sickly mother. His father rages at his mother's coddling, and his mother weeps at his father's brusqueness, and David basically tries to cut off the sound of their twin whining while dreaming of horses, but he's a worried kid. Worried about his parents, who are talking divorce, worried about his asthma, worried about being shunted off to Nantucket as a paid guest of a local family for the summer, worried about his mother's bronchitis and his father's blatant dissatisfaction.

On Nantucket, the Macy family startles and confuses David, who's not used to the freedom to come and go without adult scruntiny - or to the blithe assumption that everything's fine unless you're actually bleeding. The tightly wound kid begins to relax a little, but what really kick starts his change is the mare Salty. The Macys agreed to care for the grey mare and sell her for her owners, who have moved off the island, but in the meantime David can ride her. And the tense, frantically worried David seems to loosen up almost the moment he meets the horse.

"Let's ride bareback," he said, although he had never done such a thing in his life.

With Bill Macy and his pony Pumpkin for company, David and Salty explore Nantucket. David, experiencing childhood freedom of movement for the first time in his life, thrills to every adventure, from getting lost in a fog to rescuing stranded swimmers. Bill, more prosaic, reminds him that Salty, the key to their shared transportation, will be sold sooner or later.

Very much a boy adventure, with the focus being on how Salty gives David freedom and autonomy. There is much less fascination with the horse as a beautiful animal or to the care of the horse than in the typical horse book starring a girl. David dearly loves Salty, and there are passages where he reflects on her beauty or gentleness, but it is an emphatically male POV. In most horse stories, a girl rescues a horse; here, a horse rescues a boy.

Reynolds had a few quirks which made her books a bit aggravating - an obsession with fat kids, a tendency to portray women as either sturdy and contented second fiddles or as weak ciphers (with men as strong, sensible alpha males) and some unlikely language - has any 12-year-old boy after 1900 really uttered the word "shall" in a casual conversation? The language itself is slightly stilted; it's clear and readable, but a little simple for the presumed audience.

As opposed to that is her depiction of a wonderful childhood summer running free across a unique island, galloping bareback on the beach, rescuing hapless people and becoming strong and confident. She vividly portrays a sense of a summer idyll on horseback, and Bjorklund's soft, dreamy art complements her style.

Books

The Cabin On Ghostly Pond

A Horse Called Mystery

Sire Unknown

Dark Horse Barnaby

Keep A Silver Dollar

Ride The Wild Storm

Links

Nantuckett, Massachusetts

Sire Unknown

Sire Unknown
Marjorie Reynolds, il. Lorence F. Bjorklund
1968, Macmillan

Ever since he was four, he had ridden this patient pony. Although it made him feel disloyal, he couldn't help thinking You're nearly old enough to die. When you die, I bet Dad will buy me a bigger pony or maybe a horse

Boots, the bay pony who stands patiently when his rider wants to dismount and tack up a sign, does die. He's shot by a careless hunter, and Jim Evans gets his horse. But although he's thrilled to get a real horse, he's embarassed by the pinto's cow-like spots and name The Guernsey, and quickly renames him Apache Warrior. This is a fairly typical bit of dreaming for Jim, who's also convinced himself that the rich people down the road are his real parents because his dad's a fertilizer salesman and doesn't make much money. Jim's dissatisfied with his position in life, and must learn that the rich people aren't very nice while his making-do parents are very worthy.

Marjorie Reynolds is a puzzle. Her books were illustrated by gifted artists, and were simple and effective narratives; this is one of the few that doesn't quite come off. But her main characters are often quite harsh and unappealing. Here, Jim is a snob who yearns to be a rich man's son, and who wants his own pony dead so he can get a new one. When he has a chance to get justice for his pony, he runs away instead. There is a nasty thread of hate toward fat kids in all of her books - here, the fat boy Tubby is well, named Tubby, and is described endlessly.

- Tubby's chubby face
- his small eyes sparkled between their folds of fat
- Tubby took a greedy bite... caramel oozed from the corners of his mouth
- The fat face turned and looked at him
- Jim thought of how fat and squashy Tubby was

The writing can be effective or terrible. At one point, Tubby is described as 'Strutting up with the rolling gait of a barrel," an image impossible to conjure as it's so clearly at odds. A barrel can't strut, it doesn't have legs.

Horses/Other Animals
Boots - light bay pony gelding
The Guernsey/Apache Warrior - 4 y/o brown and white pinto gelding
Barberry - brown AngloArab gelding, 15hh

Tigger - beagle
Tugger - beagle
Lucy - beagle
Penny - beagle
Weaky - beagle
Little Lucy - beagle
Tiny Tigger - beagle
Butch - beagle
Funny Face - beagle

Other Books
The Cabin On Ghostly Pond (1962)
A Horse Called Mystery (1964)
Dark Horse Barnaby ( 1967)
Keep A Silver Dollar (1967)
Ride The Wild Storm (1969)