Showing posts with label Illustrator - Paul Brown. Show all posts
Showing posts with label Illustrator - Paul Brown. Show all posts

Friday, January 15, 2010

Pamela And The Blue Mare (1952)


Pamela And The Blue Mare

Alice C. O'Connell, il. Paul Brown

1952, Little, Brown and Company



The horse behind her, the one with the sleek legs and gentle face, was standing up on his hind legs, his front feet waving over her head.


Pamela is 9 years old and recovering from a bout of scarlet fever. Sent to her father's parents' farm, Paget Hill, for a rest, she has one problem; Grandfather Paget raises and sells horses, and ever since having a horse rear up in fright near her at a horse show, Pam's been afraid of horses. When Gran learns of this, his eyebrows wriggle, something Pam will soon discover means he's up to something. But in this case, fate lends a hand.


"It's a new colt, Pammy. She was born in the night, and her mother's too sick to look after her. We're trying to get her to take some milk."



The old baby bottle works its magic, and Pam bonds with the little blue roan filly she dubs Frosty Morning. Frosty is soon returned to her dam, while Pam swallows the bad news that a) she can't ride Frosty for years, and b) she has to learn to ride on one of those scary big horses.


And before Pam knew what was happening, she was sitting on Charm's back and her legs were hanging down, reaching for stirrups that were much too long. Collier remedied that quickly, and when her feet were comfortably settled James appeared and took hold of Charm's bridle. Collier stayed on one side and Gran on the other. Gran showed her how to hold the reins and James started walking, and so did everyone else. Pam forgot the reins and grabbed at the saddle and held on for dear life.


This was, for me, the best part of the book. Pam's riding education is very slow at the start, and the early emphasis on gradual, positive work for both horses and riders was lovely.


"But Gran, Brendan didn't look as though he liked jumping for Bill. He went so fast and then he got all sort of scared and wild-looking, and when he did try to jump the wall and fell Bill started hitting him. I didn't like it."

"There's my girl." Gran put down his paper and took off his glasses and looked at Pam for the first time that morning. "You're learning something about horses, Pam, when you don't like a performance like that one. And what's more, you know why you don't like it. Now tell me what kind of performance you would like."

"We-e-ll, I don't think a horse should feel as though he had to hurry, he should..." Pam stopped to think.... "He should look as though jumping were easy, no as if it were something to be afraid of."


Pam learns how to stand up for her horse, refusing to let Bill induce her to ride Charm too roughly, and learns how to continue challenging herself by switching horses to the younger and, after Charm, slightly intimidating Murphy for jumping lessons.



After this first vacation at the farm, Pam returns home and time necessarily speeds up so we can get Frosty old enough to start serious schooling on what she needs to become a saddle horse. The blue mare is 4 before Pam rides her for the first time; in the interim, Pam has been increasing her riding education and taking part in her first foxhunt.


For the next few minutes Pam felt nothing but a sensation of speed with the wind whistling through her ears, and the quick lift and drop of panels as Murphy sailed over them, and the consciousness of Gran's back just in front of her. Then things began to come back into focus; she was able to see the pack streaming across a field ahead, looking as though a blanket might have covered them, and to hear the high-pitched voices as they came back to her on the wind.


The action continues steadily from here: Pam schools the blue mare, rides her in hunts, begins the very start of a romance with Bill, who's learned better ways from Gran, and ends up riding in the big class at a big horse show.




This is the first book in a somewhat rare series. It is one of those books which some remember with great fondness, so I don't want to criticize it too severely, but I was disappointed. The writing is adequate but never more, and the characters are flat and predictable. The plot is promising but slow-paced and meandering. And even by conservative, old-fashioned standards, the harping on how Pam's father and grandfather are always right is overwhelming. In this book, all the men in Pam's family are guiding father figures overseeing their girls and women, who are reassured and gently bullied into acting against their instincts and judgement and always learn - surprise - that Daddy was right all along. Not that Pam should have run off and gotten a motorcycle, but couldn't the men in her family ever be wrong? A saving grace is that this perfection is not extended to the boys. Bill repeatedly does the wrong thing and has to learn - partly from Pam but mostly from Gran - the right way. This is a big step, considering how many older children's books feature a twerpy boy acting the little prince with his female playmate.


The grand finale class at the end of the book is a Corinthian class. I'd vaguely heard of this before, but wanted to clarify it for myself before this review, so went looking for a definition. This and the Appointments class are apparently largely exhibition classes which have gone out of style today, but were very popular back when more horse shows had the big outside courses. All competitors had to be members of a recognized hunt and wore hunt livery; they were judged on genuine adherence to both the practical and traditional demands of foxhunting, and on sheer style. A very interesting choice of contests. The Super Important Competition is a classic ending for horse stories - the big race, the big jumping class, etc. Having the big class be about perfection of style in a competition which by its very nature goes no further - ie, no Olympic trials, no national championship, just the very finite goal of being the best foxhunter at this show - meshes perfectly with the insular, country gentleman tone of the book. Pamela wins glory for her way of life and her background, not particularly for herself.


A thread on the discussion forum for the redoubtable American horse sports (particularly foxhunting) magazine, The Chronicle Of The Horse, on the Appointments and Corinthian classes.



Horses

Gentian

Frosty Morning - 16h blue roan mare

June Dawn - bay mare

Charm - bay gelding

Brendan - chestnut gelding ruined by Bill's family

Trevadin

Gallant Patrick


Dogs

Toby - Sealyham Terrier


About the author

Alice Louise O'Connell was born in Minneapolis and spent most of her life in Minnesota. In 1948, she obtained a Masters in education from her undergrad alma mater, the University of Minnesota, then worked as the Head of Aquatics and Instructor of Physical Education at Winthrop College in South Carolina. She also bred, showed and judged AKC Norwegian Elkhounds.


All the above was gleaned from the dust jacket of The Blue Mare In The Olympic Trials. O'Connell is extremely elusive online. The search is more distracting because of an actress and (apparently) an Australian author of the same name. This O'Connell seems to exist only as the author of the two blue mare books.

Tuesday, December 22, 2009

A Horse To Remember




A Horse To Remember
Genevieve Torrey Eames, il. Paul Brown
1947, Julian Messner, Inc.

The little horse stopped a short distance from the boy and stood like a statue, head outstretched, ears forward, nostrils sniffing to make sure this was a friend. The sun turned his coat to gold, except for the narrow white strip down his face and the two white socks on his hind legs. His mane and tail were silvery white and his eyes were dark and full, set far apart.

Jarvis Dane is the only one in his family who doesn't love to ride. He envies his twin sisters, Mary and Martha, for their confident ease on horseback, but he really prefers to walk. This summer, though, his lack of interest has a price; his father, forseeing a bad hay crop, is planning to sell off some horses, including Jarvis's pet, the scruffy accidental colt named Joker. The ragged colt has grown up, largely overlooked, during the winter, and is now a beautifully formed 3-year-old with a flashy palomino coat. He still has the sense of humor that inspired his name.

"Funny about that colt. He's got his own ideas. He's smart - smart as they come - but he doesn't seem to take his work serious."


Jarvis plots to keep his horse, discovers a mystery in the woods involving a chicken thief, and fights with a snooty newcomer who disdains loyal collie Jack as not looking much like the champion show dogs his father raises. Most importantly, Jarvis learns to love riding.

Now they were climbing the hill at a walk, but Jarvis was too dizzy with happiness to know where they were. He was in a magic world of his own; a world he had just discovered, where he and his horse were like one creature - a creature with strength and speed he had never known, and all his to guide and control. He felt at that moment that there was nothing he couldn't do, no place he couldn't go. It was a world only riders could know. He felt, too, as if he could look right into Joker's mind and never before had he loved the colt so much.

Unusually realistic and strong portrayal of a kid - and a boy! - learning to want to ride, and then learning to ride. Where many horse books would have had the newly formed team of boy and young horse continue merrily on their way, Eames has her hero go through actual riding lessons on an older, quiet horse, and be unable to ride the young, green horse again until after those lessons. Granted, the lessons only last 3 weeks, but it's still kinda cool. And the lesson scene is very well done.

"No, no," Chet called out as Jarvis passed him, posting rhythmically in time to Gray Eagle's long, low trot. "Don't tuck you chin in like that. Look up - forward, between your horse's ears. That's better. And be careful about your feet, don't let them swing back and forth." Jarvis tried to keep his mind on his chin and his feet at the same time. It was like that old stunt of rubbing your stomach and patting your back. He had never thought there was so much to remember - head, shoulders, elbows, heels. The twins always looked just right on their horses and they never seemed to think about it. He was hot and sticky; his knees were tired too, but he wouldn't think of stopping until Chet said the lesson was over.


A very well-written book with sharply defined characters in the children, even between the twin girls who are very similar, and a nice growth in perspective by the hero. Strong horse scenes, and neatly wrapped plot threads. Unusually, a foal whose dicey birth fuels a major plot point disappears from the book quickly.


Jarvis has a collie, Jack, whose attitude toward his boy is summed up rather elegantly.

Old Jack, the collie, met the girls at the door. He greeted them with a wag of his tail as he passed them, but it was Jarvis he was looking for. He thrust his long, smooth muzzle into the boy's hand and walked beside him toward the house.

and later

The dog thumped his tail on the ground and gazed up at his master. It had not been a perfect day for him, shut in the house all afternoon, but the ending suited him all right. He loved picnic suppers on the lawn, with handouts from all the family; even Aunt Sue had passed him a bit of cold chicken when nobody was looking.



Horses
Joker - palomino 3-year-old
Lady-be-good - black blind broodmare
Annabel - retired polo pony
Gee-Whiz - retired polo pony
Pepsi - Shetland pony
Popsi - Shetland pony
Gay Lady - chestnut mare
Gray Eagle -
Sun Flash - Thoroughbred gelding
Ginger - 22-year-old horse
Dan - farm horse
Dolly - farm horse
Brownie - broodmare

Dogs
Jack - 10-year-old rough collie

Other Books by Author
The Good Luck Colt
The Flying Roundup
Pat Rides The Trail

Books authored by Paul Brown (1893-1958)
Pony Farm
Pony School
Piper's Pony
Sparkie And Puff Ball
Daffy Taffy
Crazy Quilt, Circus Pony

Books illustrated by Paul Brown
Too many to list; he illustrated Eames's The Good Luck Colt

Sunday, October 11, 2009

The Good Luck Colt (1953)


The Good Luck Colt

Genevieve Torrey Eames, il. Paul Brown

1953, Julian Messner, Inc.


Martin wasn't listening. He lifted the colt's head against his chest and rubbed its neck and sides. "Come on, little fellow," he whispered. "You're going to grow up and be a big horse someday - a trotter."


Martin Dennis loves trotting horses. His father breeds and trains Standardbreds, dreaming of one day reaching the harness world's biggest race, the Hambletonian, and Martin dreams right along with him. But while his father's hopes are pinned on the promising black colt Master Peter, Martin believes in his little orphan foal Good Luck. Since no one knows if his dam was registered, Good Luck's prospects for a trotting career are dim, but Martin is determined to make his colt a harness horse. He has some trouble -


It was not until he unsnapped the rope and picked up the lines that he ran into trouble. No matter how he tried he could not get Good Luck to walk away from him. Every time he stepped behind him and picked up the lines the colt turned and came toward him, nuzzling his hands and pockets for carrots or oats.


- but for the most part, Good Luck learns easily and Martin has high hopes of tracking down his dam's papers through a slippery horseman named Gus Brown. When tragedy strikes, Martin feels pressured to re-ignite his father's enthusiasm for horses, and suggests a trip to nearby Goshen to watch the harness world's biggest race, the Hambletonian. There, father and son meet the famous names of harness racing: Ben White, Bion Shively, Sep Palin, Harry Pownall, Fred Eagen, and watch the race itself. Upon their return home, matters with the elusive Gus reach a crisis, and Good Luck ends up racing for the first time.


A well-written, enjoyable old horse book with a vivid portrait of harness racing and beautiful Paul Brown illustrations. Martin's little brother Cal is a wonder of tough-hearted childhood; his favorite strategy when he's annoyed at his older brother is to hopefully suggest that someone or something is dead. Even the villain Gus Brown is drawn intriguingly; a skillful driver and careful horseman, he is described as having a weakness for crooked schemes, but an honesty about caring for his horses.



Horses

Voline - Standardbred mare

Lady Luck - Standardbred mare

Good Luck - bay Standardbred colt with white stripe (Lady Luck x Good Cheer)

Master Peter - black Standardbred colt (Voline x Master Mind)

Peter Volo - Standardbred stallion

Master Mind - Standardbred stallion

Florita - chestnut Standardbred filly


Real Horses

Iron Prince - brown Standardbred colt

Crystal Hanover - Standardbred filly in Hambletonian

Sharp Note - Standardbred colt in Hambletonian

Duke of Lullwater - Standardbred colt in Hambletonian

Hit Song - Standardbred colt in Hambletonian

Scotch Victor - Standardbred colt in Hambletonian

Peter Nibble - Standardbred colt in Hambletonian

Hardy Hanover - Standardbred colt in Hambletonian

Epicure- Standardbred colt in Hambletonian


Other

Tassle - Dalmation mascot


Links

The Hambletonian Society

The real 1952 Hambletonian

Photo of the winning heat


Bion Shively

There was a short documentary film on Bion Shively's victory,Old Man In A Hurry.


Alma Sheppard

Martin, arguing for the right to race his colt, uses Alma Sheppard as an example of a child who raced harness horses. In 1937, she drove Dean Hanover to a record 1:58.


Other books by the author

Pat Rides The Trail 1946 il. Dan Noonan

A Horse To Remember 1947 il. Paul Brown

Ghost Town Cowboy 1951 il. Paul Brown

Flying Roundup 1957 il. Lorence F. Bjorklund


Dog story

Handy Of The Triple S 1949 il. Paul Brown

Wednesday, April 1, 2009

Crazy Quilt, Circus Pony


Crazy Quilt, Circus Pony: The Story of a Piebald Pony
Paul Brown, author and illustrator
1934, Charles Scribner's Sons

His coat shining like satin, he stepped into the ring. The first trick was the game of leap frog that he played with Flap Foot. First the pony knelt while the clown jumped over him. The Flap Foot bent over and Crazy Quilt jumped, taking great care not to touch his master as he did so.

A curiously speckled pinto pony finds a new home in the circus in the act of Flap Foot, a clown, and a new family when Flap Foot (actually Mr. Perkins) takes the act home for a vacation with his three children. Pam and Peter share Crazy Quilt and the donkey Oscar, while their little brother Piper takes the two dogs, Mick and Mac, and have a fun time riding and creating new acts for the four animals.

Bareback riding looked easy when one saw it in the circus ring. The twins soon found out that it was not as easy as it seemed. Peter learned that his shoes would not grip Crazy Qio;t's sleek hide. Pam discovered that even though the grassy pasture looked soft it was really very hard. They fell off on one side of the pony and they fell off on the other. The first trick riding was not a success.

Paul Brown's quality illustrations enliven a fairly meandering, unfocused book which generally looks at a circus family at home, and the fun they have with their highly trained animals.

Oscar is called a donkey but looks like a mule (although a mule which is about the same size as the Irish Wolfhound) and Brown's illustrations are inconsistent on which is taller, the pony or the donkey/mule. Crazy Quilt's markings are unusual - almost appaloosa spots on a basic pinto background.

Horses/Donkeys
Crazy Quilt - 5-year-old black and white pinto gelding pony
Oscar - donkey
Patchwork - pinto Shetland pony

Dogs
Mick - Irish Wolfhound
Mac - Scottish Terrier

Other books by Author
Piper’s Pony (1935)
Pony Farm (1948)
Pony School (1950)
Sparkie And Puff Ball (1954)
Daffy Taffy (1955)

Tuesday, March 3, 2009

Pony Farm




Pony Farm
Paul Brown, writer and illustrator
1948, Charles Scribner's & Sons

Lucky kids Bud and Lynn live next door to a farm that raises Shetland ponies, and owner Mrs. Marian allows them to come over and ride and watch the foals. One foal in particular, the spectacularly marked Half 'n Half. The colt of head broodmare Snowflake, he has many adventures which are fully illustrated, from chasing frogs to running with other foals to getting into trouble.

Slight story, charming drawings.

Ponies
Mickey "Matchless Michael of the Titans" - black stallion
Snowflake - white broodmare (32" at the withers)
Half 'n Half - black and white foal (18" at the withers, 27lbs)
The Pest - orphaned filly
Molly - foster mother to The Pest
Fuss Budget - cautious broodmare
Brenda - Fuss Budget's foal

Other Animals
Joshua - black cat
Deuce - Dalmation
Trey - Dalmation
Charlotte - donkey
Prince Charming - goat

Other Books by Author (writing; Brown illustrated far more)
Crazy Quilt: Circus Pony
Mick And Mac
War Paint
Sparkie And Puff Ball
Pony School
Draw Horses

About the Author
1893-1958
Subject of a biography Paul Brown: Master of Equine Art by
M.L. Biscotti.