Saturday, May 11, 2013

The Wilful Princess And The Piebald Prince (2013)

The Wilful Princess And The Piebald Prince
Robin Hobb, il. Jon Foster
2013, Subterranean Press

For something a little different.  This book stands alone quite nicely, but also functions as a prequel of sorts to the author’s popular fantasy series, much of it centering on a dragon-plagued land called the Six Duchies, and the royal Farseer family that rules it when they're not busy killing each other.  I’ve read most of the books – there are currently 13 – and generally liked them.  They’re decent fantasy novels based on characters and convincingly portray a complicated fantasy world.  This novella is much shorter and concentrated than the sprawling enormity of the rest of the series, but has many of the same elements – strong and often unlikeable women, mysterious men, royal squabbles, high fantasy tone and a tendency toward unexpected bloodbaths. 

The backstory for this installment is that in the main series, there’s a violent dislike for one branch of magic ability.  The Wit is the ability to bond and communicate with animals in a mystic way; Witted folk can literally speak with animals.  When this book begins, years before the later books, being Witted is considered acceptable.  When the next book (Assasin’s Apprentice) in the series opens, the Wit is regarded as corrupt and evil.  In this book, it’s explained how that prejudice came to be.  It starts with a Queen-In-Waiting named Caution.  Who is, to put it mildly, quite unlike her name.  At 20, she’s refused to marry, refused to learn anything about ruling, and generally is vexing her indulgent parents.  And then the horse fair opens.  

Now among his ware this odd trader had a spotted horse – not dappled nor speckled, mind you, but blotted in great ugly spots, like a fruit that has taken blight, or a poorly-dyed blanket, or a milk cow.  Black-and-white he was, with a rolling blue eye on one side of his head and a dark staring one on the other.  Big was this beast, and a stud, unruly of temper, screaming out his challenges to any stallion that came near and snuffing and stamping after every passing mare.

Caution sees the horse, and the Witted slave named Lostler who is the only one who can control him.  She buys horse and man, and installs them in the royal stable, and you can tell where this is going.  But Caution's predictable disaster is not where the story ends. 

The story is narrated by Felicity, the plain daughter of an ambitious wet nurse.  Maneuvered into place as the playmate and personal maid of Caution, she has grown to love her.  She has little choice; taken from her family at a young age and instructed harshly by her mother on how to please a fickle princess, Felicity has virtually no one but Caution.  The princess, all unknowing, is Felicity’s family, friends and lover, all in one.  Their betrayals of each other will be impressive, especially given that Caution really doesn’t recognize that she is betraying her – for how can a princess betray a servant?

Honestly, not all that horsey.  It is interesting, though, how Hobb uses the horse to rachet up the sexual tension between the heir and the groom; as the maid watches her mistress flirt with ruin.

Robin Hobb’s Six Duchies/The Elderlings novels
Assassin’s Apprentice
Royal Assassin
Assassin’s Quest
Ship of Magic
The Mad Ship
Ship of Destiny
Fool’s Errand
The Golden Fool
Fool’s Fate
Dragon Keeper
Dragon Haven
City of Dragons
Blood of Dragons

About the Author
Margaret Astrid Lindholm Ogden (1952 - )
aka Megan Lindholm

Subterranean Press
 Tor Books - excerpt